Fay L. Hendry Outdoor Sculpture Project

30 10 2019

To celebrate Halloween this year, we will be highlighting the Fay L. Hendry Outdoor Sculpture Project records. Not a spooky ghost story or a forgotten celebration of Halloween from the turn of the 20th century, but a collection that highlights one of the most iconic images of Halloween: the tombstone.


“Owl in the Tree Trunk” – Longstreet Monument, Mt. Hope Cemetery, Lansing

These records document a project that began in 1976 when Fay L. Hendry was hired by the Michigan History Division to create a report on cultural properties. Unable to locate much information on outdoor sculpture in Michigan but convinced that it did exist, Hendry decided to conduct a pilot study of sculpture in the Lansing area. Her study led to a photographic exhibition entitled Outdoor Sculpture in Greater Lansing: From Tombstones to Titus the Tinner held at the Michigan Historical Museum from June to December, 1977.

With additional funds from several Michigan organizations, the project grew to include outdoor sculpture located in Grand Rapids and Kalamazoo. Between 1978 and 1980, Hendry located, photographed, and documented free-standing, architectural sculptures, regardless of their aesthetic merit, in all three cities. After the field inventory, Hendry selected sculptures to serve as the basis for guidebooks, which also led to a traveling photographic exhibit and public forums held in each city.

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All the photographs were taken by Balthazar Korab. Born in Hungary, Korab trained as an architect in Europe and was known as a specialist in architectural photography.


“Dog” – Heeb Monument, Gunnisonville Cemetery, DeWitt Township

After the project was over, Hendry donated her research and the photographs to the MSU Archives and Historical Collections. She graduated from MSU with her B. A. and M. A. in art history and worked on her postgraduate studies at MSU, focusing on art history, computer science, decorative arts in the museum, historic preservation, and photography. During her postgraduate studies, Hendry worked at the MSU Archives as a departmental aide, writing descriptions of collections!


“Woman Clinging to a Cross” – Rix Monument,
Mt. Hope Cemetery, Lansing

To celebrate Halloween, enjoy a few tombstones that Hendry researched for her outdoor sculpture project and found in the Lansing area cemeteries. In her guidebook, she felt sculptures were better understood when they were experienced in person rather than reading about them. Next time you’re in the Lansing area, take a stroll through one of the city cemeteries to take in the scenery and beautiful monuments. Of course, it is best to do it during the day, because you never know what is lurking in the cemetery at night.

Happy Halloween! Bahahahah!

All photographs credited to Balthazar Korab.

To learn more about the symbolism on grave markers, check out Douglas Keister’s 2004 book, Stories in Stone: A Field Guide to Cemetery Symbolism and Iconography by MJF Books.


Fay L. Hendry Outdoor Sculpture Project records, 00149, Michigan State University Archives and Historical Collections, East Lansing, Michigan.

Hendry, Fay L. (1980). Outdoor Sculpture in Lansing. ɩota press: Okemos, Michigan.

Written by Jennie Russell, Acting Records Manager

Hallowe’en Revels – UA 10.3.35 Irma Thompson Papers

26 10 2018

Irma Thompson, circa 1900. (People 2687)

A collection less than one cubic feet that highlights life on the campus of M.A.C. at the turn of the 20th century is the Irma Thompson Papers. Irma was born in 1880 in Van Buren County, Michigan. While still in high school, the Thompson family moved to Lansing so Irma would have the opportunity to attend college. She entered Michigan Agricultural College (now Michigan State University) at the age of sixteen, one of forty-two women to major in the new Home Economics program. Although an off-campus student, she was very active in campus extracurricular activities. She was class secretary, vice-president of the Art Club, and a member of the Themian Literary Society. She graduated in 1900. In 1905, she married Mark L. Ireland, ‘01, whose name appears occasionally on her dance programs.

In her collection are a program and scripts related to a play she was involved in during her senior year. The play, Hallowe’en Revels, was performed in the Armory on November 10, 1899 with an audience of 300 students and faculty members. It was the first production by the “College Dramatic Club.” The play was a mixture of burlesque and vaudeville styles. Today, most people think of a burlesque show as a strip tease, which is partly true, but burlesque also means “an absurd or comically exaggerated imitation of something, especially in a literary or dramatic work; a parody.” (Oxford Dictionaries) That definition properly describes Hallowe’en Revels and in the M.A.C. Record reminder a week before the play was to be performed, an editor wrote, “It will cost you but 10₵ to ‘see yourself as others see you.’”

The backdrop for this play was the M.A.C. campus, making fun of real people on campus, mostly faculty members and a group of men. Included was a prologue and six acts: the trial scene, the rhetorical class, the advanced German class, the cooking class, the midnight spread, and the Calethumpians.

For the trial scene, students acted out the roles of the professors, who were also portrayed as animal characters, such as Miss Kellar representing a dragon and M.A.C. President Snyder as a sheep. In the trial scene, the animals/professors are judged for their bad behaviors/breaking the rules, such as smoking, not attending church, attending too many dances, climbing up a tree, and wandering outside the college grounds by an escort not approved by the Dean. While these “bad behaviors” do not seem to be an issue today, early students had several rules imposed upon them, such as a set amount of dances they could attend, mandatory attend at chapel, and strict curfew times.


“The Calethumpians” from the 1900 Wolverine yearbook, page 170.

The last act of the play was “The Calethumpians.” This act is interesting because we can’t verify if this was a true society or not; it might have just been a group men calling themselves that. The Calethumpian Society is listed in the 1900 Wolverine yearbook and it doesn’t list actual names for the six male members, just their nicknames. From the yearbook, “The Calethumpians are a society of high spiritual and physical intentions, having for their object the betterment of the moral and athletic conditions at M.A.C.” and their motto was “never work between meals.” (page 170) For the play, all women played the roles of the males and in the program it stated, “The Calethumpians is a society with high moral purpose whole by-laws prohibit profanity, and work between meals, and whose yell requires athletic training.” In the act, the midnight revels of the Calethumpians in Wells Hall are revealed. Obviously, the women were poking fun at the men.

Along with the play, a poem written in the style of Dante by Harriette Robson and read by N. A. McCune, entitled, “The Abbotiad,” described the storming of Abbot Hall by the nightshirt paraders. The Nightshirt Parade happened at the end of the school year, with the men dressing up in their nightshirts parading around campus. Usually they would stop by faculty member’s homes asking them to serenade the group and/or hijinks would ensue between the classes. According to the M.A.C. Record, “the program ended with ‘A Scene in Hades,’ in which all the characters of the play appeared in costumes weird and grotesque.”


M.A.C. Juniors pose after the Nightshirt Parade in the Chemistry Lecture room, June 1899. (A004617)

Between the acts, the audience was entertained with lantern slides of original drawings, depicting life on campus, by Irma Thompson and S. J. Kennedy, ’01. A few illustrations by Thompson and several by Kennedy appeared in the 1900 Wolverine yearbook. It seems that the play was a success, but really long.

Thompson Illustration

Illustration by Irma Thompson, depicting the race between the Seniors and Juniors to publish the 1900 yearbook. Unfortunately for the Seniors, the Juniors were the winners. This illustration appeared in the 1900 Wolverine, page 105.

Sadly, the University Archives does not have any photographs from this play. Luckily, in Irma’s papers, we do have the play program and scripts from three of the acts. Even though this collection is only one box, it highlights the time of the first women who enrolled in the Home Economics Program. Irma’s scrapbook contains a few photographs, several illustrations she created of her time on campus, and clippings. She kept in touch with her class mates, keeping a record of their lives. She also wrote her own memoirs about her college experience near the end of her life.

Hallowe’en Revels is a unique play that was written by the students of M.A.C., reflecting their life at that time. Even though it wasn’t performed at Halloween, the play does an amazing job of highlighting the spirit of Halloween by allowing the person to become somebody/something else for a brief moment of time.

Have a safe and Happy Halloween!


“At the College,” from the M.A.C. Record, Vol. 5 No. 9, November 7, 1899.

The Calethumpians: A Play, circa 1899, Box 761, Folder 29, Irma Thompson Papers, UA 10.3.35, Michigan State University Archives and Historical Collections, East Lansing, Michigan.

The Faculty Meeting: A Play, circa 1899, Box 761, Folder 30, Irma Thompson Papers, UA 10.3.35, Michigan State University Archives and Historical Collections, East Lansing, Michigan.

The Faculty Trial: A Play, circa 1899, Box 761, Folder 31, Irma Thompson Papers, UA 10.3.35, Michigan State University Archives and Historical Collections, East Lansing, Michigan.

“Hallowe’en Revels,” from the M.A.C. Record, Vol. 5 No. 10, November 14, 1899.

Hallowe’en Revels: A Play, November 10, 1899, Box 761, Folder 32, Irma Thompson Papers, UA 10.3.35, Michigan State University Archives and Historical Collections, East Lansing, Michigan.

Midnight Spread Scene: A Play, circa 1899, Box 761, Folder 33, Irma Thompson Papers, UA 10.3.35, Michigan State University Archives and Historical Collections, East Lansing, Michigan.

Wolverine Yearbook, 1900. Pg. 170. Michigan State University Archives and Historical Collections, East Lansing, Michigan.

Written by Jennie Russell, Assistant Records Archivist

Horror! Hollywood! Halloween 1952

31 10 2017

On October 31, 1952, four Hollywood actors dressed in fine suits and a beautiful dress stood on a bare stage with only four microphones stands and stools. The actors had scripts and only rose to read their parts. The reading seemed simple and unembellished, but the actors’ voices made it feel like they were in Hell, observing Don Juan and the Devil. On that cool, windy Halloween night, a group known as “The First Drama Quartette” performed Don Juan in Hell by George Bernard Shaw. The cast included four people: Charles Boyer as Don Juan, Vincent Price as the Devil, Sir Cedric Hardwicke as the Statue, and Agnes Moorehead as Donna Anna. The play was directed by Charles Laughton and produced by Paul Gregory.


Vincent Price as “The Devil.” Vincent autographed the photo and it reads, “With all my best thanks, ever Vincent Price”, 1952. (A006667)

Don Juan in Hell is actually part of a four-act drama called, Man and Superman, written by George Bernard Shaw in 1903. Shaw wrote the play in response to people wanting a Don Juan-themed play. When the play was first performed in 1905, the third act was omitted. The play wasn’t performed entirely until 1915. The third act, Don Juan in Hell, is usually removed because it is a play amongst itself. The act is quite long and is completely different from the rest of Man and Superman since it is a nonrealistic dream episode consisting of Don Juan having a philosophical debate with the Devil.



Agnes Moorehead as “Donna Anna”, 1952. (A006668)

Even though Halloween seemed to be the perfect time to perform this reading, it wasn’t the first time the reading was performed on campus. On March 1, 1951, Don Juan in Hell performed but with one difference. Instead of Vincent Price playing the role of the Devil, it was Charles Laughton. It is unknown why Laughton stepped down from playing the Devil, but he continued to be director of the play. At the 1951 event, 3,500 people came out to the Auditorium to witness the performance. According to the State News, Laughton said the bare stage with only the functional equipment was the best possible setting for this reading. Hardwicke, a long-time friend of George Bernard Shaw said, “I believe he would have liked it this way” in reference to the staging of the play.



Charles Boyer as “Don Juan”, 1952. (A006669)

The programs and wonderful publicity photos of the cast are part of a small collection located in the Archives, the Barbara Van Baalen Papers, UA 17.246. In this collection are dozens of publicity photos, some signed by the performer him or herself. Van Baalen was secretary to Stanley Crowe, Dean of Students at Michigan State College. Crowe was also the Director of the Summer School and Director of the Lecture-Concert Series, which brought national acts to MSC for performances. Because of her association with Crowe, Van Baalen was able to get autographs from many of the performers. Included in this collection are programs related to the Lecture-Concert Series, souvenir programs, campus related documents, and musical related magazines. The photo of Charles Laughton is from the 1954 Wolverine yearbook, when Laughton and Gregory once again visited campus to offer a chance to see a pre-Broadway opening of The Caine Mutiny Court Martial staring Henry Fonda, John Hodiak, and Lloyd Nolan.



Sir Cedric Hardwicke as “The Statue”, 1952. (A006670)

Looking back, it now almost seems serendipitous for those actors to be performing a play that takes place in Hell on Halloween night. While already famous, the actors played or would later appear in horror films or play a role that is associated with characters of Halloween. Vincent Price appeared in the House of Wax, The Fly, adaptation movies of Edgar Allen Poe stories, Edward Scissorhands, and was the voice over for Michael Jackson’s Thriller. Charles Boyer appeared in the mystery-thriller Gaslight, for which he won the Best Actor Oscar in 1934. Sir Cedric Hardwicke played Judge Jean Frollo in the Hunchback of Notre Dame and starred in the Ghost of Frankenstein as Ludwig von Frankenstein. Agnes Moorehead appeared in the Bat (alongside with Vincent Price), Hush…Hush, Sweet Charlotte, and played Endora, Samantha’s witch mother on Bewitched. Charles Laughton played Quasimodo in the Hunchback of Notre Dame and Dr. Moreau in the Island of Lost Souls.



Charles Laughton was the director of “Don Juan in Hell” and originally played “The Devil”, 1954. (People 1743)

While this blog didn’t tell of a ghost story or of a sinister murder that happened on campus some past Halloween’s ago, it does tell how for one Halloween night, the people that portrayed such witches, misunderstood creatures, and evil souls brought those characters to life on campus!


Have a safe and Happy Halloween!

Those who would like to view Barbara Van Baalen papers are welcome to visit the MSU Archives’ Reading Room during our research hours: http://archives.msu.edu/about/contact.php. The inventory for the Van Baalen Papers is available online: http://archives.msu.edu/findaid/ua17-246.html.

For more Halloween related stories see:





To hear a recording of Don Juan in Hell performed by Charles Laughton, Charles Boyer, Sir Cedric Hardwicke, and Agnes Moorehead, visit this YouTube channel provided by Orchard Enterprises, https://www.youtube.com/watch?v=ymDBP9LiATo.


“’Don Juan’ Crackles with Shaw’s Wit,” The State News, November 3, 1952. East Lansing, Michigan.


Laughton, Charles. #1743, People Photograph Collection. Michigan State University Archives and Historical Collections, East Lansing, Michigan.

Lecture Concert Series Programs, 1948-1952, Box 1991, Folder 4, Barbara Van Baalen Papers, UA 17.246, Michigan State University Archives and Historical Collections, East Lansing, Michigan.

Michigan State College/University Lecture Concert Series Programs, 1949-1957, F.D., Box 1, Norman Penlington Papers, UA 17.85, Michigan State University Archives and Historical Collections, East Lansing, Michigan.

Photographs, Box 1919, Folders 96, 99, and 102, Barbara Van Baalen Papers, UA 17.246, Michigan State University Archives and Historical Collections, East Lansing, Michigan.

“Quartette Stirs Audience by Voice Quality Alone,” The State News, March 2, 1951. East Lansing, Michigan.

Wikipedia. Don Juan in Hell. Man and Superman. Charles Laughton. Agnes Moorehead. Cedric Hardwicke. Charles Boyer. Vincent Price. Paul Gregory.

Wolverine Yearbook, 1954. Pg. 178-179. Michigan State University Archives and Historical Collections, East Lansing, Michigan.

Written by Jennie Russell, Assistant Records Archivist

Rumor Has It…

19 10 2016

With cooling temperatures, shorter days, and the crunch of fallen leaves, the setting couldn’t be better for a ghost story.  MSU is over 160 years old and, as with any old institution, whispers of ghosts and satanic rituals have spread.  At the MSU Archives, we don’t have official proof of spirits roaming the halls and dorms.  You can believe the tales or not, but we can share with you the stories that have been told about the various spirts that haunt this university.

Mayo Hall

The most famous ghost story on campus is the ghost of Mayo Hall, who people believe is Mary Mayo herself.  Mary Anne Bryant was born in Calhoun County on May 25, 1845 and married Perry Mayo, a Civil War veteran, on April 14, 1865.  They had two children together, a son named Nelson and a daughter named Nellie.  In 1884, the Mayos were founding members of a chapter of the Order of Patrons of Husbandry, also known as the Grange.  Within the Grange, Mary advocated for girls and women to better themselves and to receive the same education as the men.  Even though women were admitted to MAC in 1870, the classes weren’t tailored to women; women were expected to work the land just like the men.  Only a handful of women graduated from MAC during this time.  In response, Mary was the main driving force for domestic science classes to be taught at MAC because she thought plowing and crop maintenance weren’t suitable for young women.  Her persistence paid off in 1896 when 42 women enrolled in the new Home Economics Program, which was an instant success.  Mary continued her work until she became ill in 1902; she died a year later on April 21, 1903.  She is buried in the Austin Cemetery that is located in Convis Township, Calhoun County.


Mayo Hall, 1940; A000343

It is said that the ghost of Mary Mayo haunts the dormitory named after her.  Students have claimed to see the apparition of a woman, lights which turn off and on randomly, and a piano that plays on its own accord.  Additionally they claim that the eyes of the Mary Mayo portrait that hangs on the first floor follow people across the room.  As to why Mary Mayo would haunt Mayo Hall, stories range from the theory that she killed herself, was murdered, or otherwise died in Mayo Hall.  The fourth floor, referred as the “red


Portrait of Mary Mayo that people claim the eyes will follow you across the room, undated; A003629

room,” is rumored to be sealed off to students because of satanic rituals taking place and rumors of a woman hanging herself.  None of these claims are true about Mary since she died at home from her illness in 1903.  Also, she died 28 years before Mayo Hall was built in 1931.  It seems very highly unlikely that Mary Mayo would haunt the building named after her years after her death, but many students believe that Mayo Hall is haunted.

Beaumont Tower

One of the most famous sites on campus, Beaumont Tower, also has its own ghostly stories to tell.  One legend states you aren’t a true Spartan unless you have been kissed in the shadow of the tower.  No reference as to how that legend got started has been found in the Archives.

Another story involves the ghost of a student that was killed in World War II.  He is said to haunt the tower as he searches for his lost sweetheart.  It would make sense that the student was from World War II because Beaumont Tower wasn’t built until 1928, 10 years after World War I.  Many students throughout the history of MAC have died in various wars, as far back as the first graduating class when two students died in the Civil War.  If there is a ghost of a student haunting the grounds of Beaumont Tower, it would be difficult to know who the student was.  Also, if a ghost is haunting Beaumont Tower, it could be a student that used to reside in College Hall, the first building on campus, since Beaumont Tower was built on the same location.  Or it could just be people’s eyes playing tricks on them as they kiss in the dark beside Beaumont Tower.


Beaumont Tower, 1969; A000236

The Halloween Massacre at Holden Hall

The most recent urban legend that affected MSU was back in 1998.  That October, a rumor spread around campus that a psychic on “The Oprah Winfrey Show” predicated that a mass murder might occur on a college campus.  This rumor was told a few different ways.  The story that MSU believed was that a serial killer dressed as Little Bo Peep would appear on a Big Ten campus in Michigan on Halloween. The killer would murder around 20 people in a dorm located near railroad tracks with a name beginning with an “H.”  Other versions claimed that the killer would be dressed in regular clothes, that the crimes would happen in a dorm shaped like an “H”, or that the building would be located near a cemetery.

Most people believed that the prediction related to MSU because we are located in Michigan, we are a Big Ten University, Holden Hall starts with an “H”, is shaped like an “H,” and is located next to some railroad tracks.  Of course, this rumor was just that – a rumor.  This rumor has been around since 1968 and has resurfaced other times in various locations since it first appeared, the most recent at Kent State University in 2007.  People believe that the rumor resurfaced again in 1998 because the movie Urban Legend was released on September 25 of that year.  Some students were worried about staying on campus that weekend with some parents even calling the university.  Needless to say, no murders happened that Halloween.

More Haunted Stories

There are many other ghostly and macabre stories about MSU.  It is up to the listener to decide if they are real or not.  If you do want to learn more about real grisly tales, the MSU Archives has some items in our collections to spark your interest.  We have Spirit Communication letters in two different collections where “the dead” would communicate via a person and write out what they wanted to say, information on the real “Burning Bed” incident that was popularized as a TV movie starring Farrah Fawcett, a Halloween play that was performed on campus at the turn of the century, and more.  You can read more about some of these grisly tales by reading some of our older blog posts or exhibit pages.




No matter how you celebrate, whether by watching a scary movie, telling a ghost story next to a bonfire, passing out candy, or Trick-or-Treating, have a safe and Happy Halloween!  And that rustling of leaves you just heard, it was just the cat…or so you think.

Written by Jennie Russell, Assistant Records Archivist

More Spooky Stories from the MSU Archives

31 10 2013

Is there life after death?  Can the spirits of our loved ones communicate with us from the great beyond?

Spiritualism, the belief that the dead are able and willing to communicate with the living, was all the rage in 19th century America.  Channeling, séances, and other purported methods of communicating with the dead were even quite popular in rural Michigan.  Three separate collections in the MSU Archives contain spirit communications.


Letter to Arnold Miller from his father in the spirit world

The first comes from the Miller family papers.  The patriarch of the family, Arnold W. Miller (1823-1911), was a farmer in Brady Township, Saginaw County, Michigan (http://goo.gl/MuYhvh).  There are several letters from his brother, Jasper Miller, who corresponded with Arnold from the spirit world via his niece, Carrie Rooney, who was a medium.  The letters, dated 1902 through 1906, were written using a “magic pencil,” according to a note kept with the materials.  Likely, Ms. Rooney held this magic pencil and the spirits controlled what she wrote.  The letters describe the “Spirit World” and explain how happy its residents are.  In one undated letter, Jasper Miller writes:

“How foolish and out of reason theology is how I wish all the earth knew of this blessed truth that spirits can and do commune with mortals.  We are laboring to enlighten all we can hoping to ere long help all to see the beauty of it the [times?] you wondered if we knew each other here how I wanted to tell you how much more natural this life is than earth life.  Yes dear brother we know each one here better than when on earth for here we can read the souls and know every man for no one can hide anything at first though one would not like that that all ones thoughts were known but when the soul has been purified you will have nothing to hide there is to such wonderful and beautiful places of learning there is always a desire to learn no matter how old one is you know and the more one learns the greater is the desire to learn more.”

Another example is a Spirit Communication notebook in the Samuel Johnson papers.  The johnson_7_aprovenance of the notebook is not clear.  It was, at some point, placed in the collection, but the names mentioned are not found elsewhere in Samuel Johnson’s papers.  Most of the letters are written to Andrew and Jaime from various spirits, including King, and Jaime Peabody (both of whom seem to be some type of guardian), Charles (Pa), Mother, Grandma Lemon, and Jim.  A medium, Mrs. Denslow, is responsible for most of the writings, although Andrew was being taught how to channel.  The first few entries explain the importance of keeping Mrs. Denslow around because the spirits and mortals will be able to accomplish much through her.  Clearly, their pleas were heeded, as Mrs. Denslow remained with the family from November 8, 1891 to April 23, 1892.

Mrs. Denslow used a technique called slate writing to commune with the spirit world.  Two slates would be fastened together with the writing surfaces facing inward and a pencil would be placed between the slates.  The medium and one of the family members would hold the slates while the spirit wrote its message.  Once finished, the spirit would move the pencil out from between the slates.  Jane B. Johnson then transcribed the messages, typically along with the date, time, and people present, into her Spirit Communication notebook.

Part of a letter to Jaime from Mother Cathcart

Part of a letter to Jaime from Mother Cathcart

Occasionally, Jane also noted how long the writing took or other details, such as what the handwriting looked like.  In one entry, Jane notes “The slate was found on the book case in the parlor the eve of Ap. 15th 1892 with the above message on it.  Where or when written no mortal knows.  Later King says Pa wrote it while Mrs. Denslow was playing on the piano and I looking over some music just before supper.”

Despite Andrew’s training as a medium, once Mrs. Denslow left the household the spirit writings ceased.

Both collections are open to researchers at the MSU Archives, along with stories of murder, mayhem, and betrayal.


Arnold W. Miller papers (00008). Finding aid: http://archives.msu.edu/findaid/008.html

Samuel Johnson papers (UA 17.120). Finding aid: http://archives.msu.edu/findaid/ua17-120.html

Written by Megan Badgley Malone

Happy Halloween from the MSU Archives staff!

Happy Halloween from the MSU Archives staff!

Spooky Stories from the MSU Archives

28 10 2013

Spooky Poster_lgBoo! Did I scare you? With only a couple days left until Halloween, it seems that everyone has been double checking over their shoulders for movements in the dark and jumping at things that go bump in the night.  While we can almost always blame these spooky moments on our own imaginations playing tricks on us, here at the archives we’ve been researching real life events that have the potential for the next scary movie to hit the theaters.  From spirit communications to grisly crimes, from vengeful wives to grave guardians, the MSU Archives has information on all sorts of thrilling stories, so if you’re looking for a good scare this Halloween season, be sure to stop by and do some of your own research.

On the evening of March 9, 1977, while MSU students were studying for upcoming exams and goofing off in their dorm rooms, Francine Hughes, a resident of Dansville, MI, arrived at the Ingham County Sheriff’s Department crying and rambling about setting a bed on fire.  It wasn’t long until the whole story had come out – that night Hughes had put her four children in the family car, poured gasoline in a circle around the bed her husband was sleeping on, ignited the gasoline, and sped off to the jail, with her children in tow.  The police department, taking action immediately, confirmed that the house had been set ablaze, and that Hughes’ husband had been found dead on the floor outside of the bedroom that the married couple had shared. 


Francine Hughes, arrested and tried for the murder of her husband, James Hughes

Later investigations uncovered the fact that Francine Hughes had been brutally abused by her husband, James Hughes, both physically and emotionally for years. She had divorced him, but pressure from his family to return and care for him after he had experienced a bad automobile accident was overwhelming, and she gave in.  Years later, after suffering the continuing abuse, she got her revenge.

Hughes was found not guilty by reason of temporary insanity.  Her story was turned into a book and a TV movie starring Farrah Fawcett.  “The Burning Bed” helped raise awareness about domestic violence.

Vengeful wives aren’t the only topic of spooky interest at the MSU Archives.  In fact, the MSU Archives has the first hand account of James L. Lucas, who had been a special body guard for the corpse of John Wilkes Booth, the assassin of Abraham Lincoln.  He recounts the body of Booth, after he had been shot on the morning of April 26, being taken onto the USS Montauk.  The blankets in which the body had been wrapped were soaked in blood, and his face was coated in dust from the long journey to the Potomac.  Lucas, along with three other soldiers, were to watch over the body in secrecy, to make sure no sympathizers got word of where the body was being kept.  They were given instructions to fire at any boat that attempted to rescue the body.  Later, he recounts, the A002657body was then buried in the Old Penitentiary in the capitol.  He refers to the job as a “distasteful duty,” as anyone having to watch over a corpse would.

Looking to read more about either of these stories? Take a visit to the MSU Archives and learn more about how Francine Hughes’ took her husband’s life or how James Lucas had to watch over the dead body of the the killer of one of the most well known presidents of America.  In fact, the archives has plenty more gory, grisly stories like this, and with only a couple days left until Halloween, come get in the mood for this spooky day and read some more real-life horror stories.


Mary Jo Tormey collection (c.00600). Finding aid:  http://archives.msu.edu/findaid/c600.html

James L. Lucas manuscript (c.00086). Finding aid: http://archives.msu.edu/findaid/c086.html

Digitized copy of Lucas manuscript